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ROCKING Show Opens
May 30, 2006 -
In a world where 8-tracks and the once ground-breaking Compact Discs have been eclipsed by MP3s and digital files, the announcement for Douglas Kent Hall's upcoming and anticipated exhibition takes us back to the beginning; it's a 12x12 package made to look just like our favorite, dusty old LP albums. The slipcase is wrapped with black and white pictures of rock's classics, complete with Jimi Hendrix's telling smile drawing us in as the center image. Inside is a mock vinyl record revealing Hall's show, "The Photo Album, Volume One: 1967 - 1970," which will run from May 26 until June 26 at the Riva Yares Gallery in Santa Fe, New Mexico. The announcement would find a happy home slipped right in with your old vinyl collection, sitting back to back with originals that it reminisces on its cover, from Mick Jagger to James Brown.
Hall's "The Photo Album" is an experience that takes us back to when rock music thrived as a movement that defined our identity as young Americans. Things like free love, social change and people's new radical ideas soared at that time, and it wasn't fueled just by the acid everyone was on. Those artists' revolutionary efforts inspired an undeniable energy that marks classic 60s and 70s Americana.
Hall recalls what it was like growing up in the late 60s, "I was young and uncertain of who I was or what my future would be. Like everyone around me, I was riveted to the music. I grooved on the sounds. I locked into the message I drew from the lyrics. I knew it was hardly a philosophy; so I took it as a mantra. My cameras gave me an inroad. They served as my drug and my religion." His photographs, took mostly during live performances where the magic was being made, take us on a near-psychedelic journey back to that indescribable world laced with Jimi Hendrix, Eric Clapton, and Jim Morrison as our tour guides.
Douglas Kent Hall is a New Mexico resident who has a diverse photographic background, rooted in capturing the natural and cultural essence of New Mexico for over 30 years with his loyal Leica camera. Hall captures the icons of the West with the ferocity and gentile he sees in the Cowboys, the Indians, and the Spanish. Though his touring of Europe, Mexico, South America, and Japan, along with his long residences in London and New York have placed him in the worldly canon that leads the international art world, it has also confirmed his place as a true Westerner.
In addition to being a photographer, Hall is a writer, poet, and filmmaker, and his multi-dimensional talents translate through his images, like the classically poetic black and whites in his New York Collection. Hall has over 40 published books, and in 2005 received both the Gold Medal Career Award from Florence Biennale Internazionale Dell'Arte Contemporanea and the New Mexico Governor's Award for Excellence in the Arts.
Top Photo Grid from the left to right:
All Images from The Photo Album, Volume One: 1967 - 1970
© Douglas Kent Hall
MICK JAGGER on stage at Madison Square Garden in New York.
LITTLE RICHARD on stage in Los Angeles.
NINA SIMONE on stage in New York.
CHUCK BERRY on stage in New York.
JIMI HENDRIX on stage in Seattle.
TINA TURNER on stage at Madison Square Garden in New York.
STEVIE WONDER on stage in Philadelphia.
KEITH MOON on stage in San Francisco.
JIM MORRISON on stage in Portland.
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Bottom Photo Grid from the left to right:
All Images from The Photo Album, Volume One: 1967 - 1970
© Douglas Kent Hall
GLADYS KNIGHT on stage at the Copacabana.
ROGER DALTRY of THE WHO on stage in New York.
ERIC CLAPTON & CREAM on stage in Seattle.
SLY STONE on stage in Long Island.
JIMI HENDRIX in Seattle.
DR. JOHN, THE NIGHT TRIPPER on stage at The Filmmore in New York.
SANTANA on stage at Fillmore East in New York.
WILSON PICKETT on stage at The Apollo in New York.
JAMES BROWN on stage at The Apollo in New York.
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Auctioning to Help the World: War is only half the story
The Aftermath Project is a non-profit organization that tells the more personal, untold stories behind the conflicts we see in the world - individuals learning to live again, rebuilding destroyed lives and homes, restoring communities, and creating new avenues for peace. The Aftermath Project offers yearly grant competitions, traveling exhibitions, and educational outreach in communities and schools to broaden the public's understanding of war and peace worldwide. This year, The Aftermath Project has conducted an auction with an astounding group of nearly 150 documentary and fine art photographers, including ZUMA Press photographers Colin Finlay and David Gross, who have all generously donated some of their best work to be auctioned off to help change the world in the best way they know how.
After writing as a journalist for nearly a decade, Sara Terry, Founder of the Aftermath Project, started communicating the conflicts of the world in a different language - photography. She documented the repercussions of bitter war in Bosnia in her project, "Aftermath: Bosnia's Long Road to Peace," showing us a glimpse of the painful struggle to rebuild a society. Several of her photos will also be included in the auction alongside to Finlay's and Gross'.
Terry told ZUMA Press, "I got the idea of starting this grant program three years ago while I was still in the middle of shooting my project on the aftermath of war in Bosnia, because I really believe that war is only half the story. If you'd asked me then whether I ever could have imagined the kind of support we've received from photographers, I would have said no. The response to this idea has been overwhelming."
The two-city auction will take place in Los Angeles on June 2 at the Michael Dawson Gallery, and in New York on June 8 at the Peer Gallery. Visit The Aftermath Project for more information. To see more works at ZUMA Press, visit Colin Finlay and David Gross.
Photo captions from Left to Right:
All images featured in Aftermath Project Auction
Childrens Orphanage
Feb 01, 1994; Kigali, RWANDA; Rwanda is best known to the outside world for the 1994 Rwandan genocide that resulted in the deaths of close to one million people. Military and militia groups began rounding up and killing all Tutsis they could capture, and between April 6 and the beginning of July, a genocide of unprecedented swiftness officially left 937,000 Tutsis and moderate Hutus dead at the hands of organized bands of militias. Pictured: Artificial limbs.
© Copyright 1994 by Colin Finlay
Muslim Widow Examines Body Bags
July 2001; Sanski Most, BOSNIA; Muslim widow examines body bags, public viewing of remains.
© Copyright 2001 Sara Terry
Exhumation
May 21, 2003; Hillah, IRAQ; Iraqis search a mass grave site for remains using large diggers in a frantic search for relatives at a mass grave near Hillah. The destruction of evidence (of crimes against humanity and of identity) was so great that Human Rights Watch began a campaign to embarass the U.S. military into closing the site.
© Copyright 2003 David Gross
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